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Korczak Festival

Young Audiences

Poland

À propos

The programme for the 30th edition of the Korczak Festival in Warsaw features two French-language shows, two Flemish shows and a day of talks focusing on Belgium.

 

The KORCZAK TODAY Festival is an international theatre festival for young audiences held in Warsaw (Poland). It is aimed at children, teenagers and young adults, and each year presents a selection of theatre, dance, contemporary circus, performance art and cultural activities from Poland and around the world.

 

 

 

Belgian Focus

This year, with the support of the WBTD agency, Wallonia-Brussels International and the involvement of ASSITEJ Belgium, a Belgian focus is being organised at the festival.

 

Companies

  • Cie Nyash | I burn too often (Je prends feu trop souvent)
  • Cie Modo Grosso | All or nothing (Tout Rien)
  • Be Flat | Double You (Flemish cie)
  • BRONKS & Not Standing / Alexander Vantournhout | Souvenir Shop (Flemish Cie)

 

Conference

On 19 October, between 10.00 and 15.00, a conference called "TYA in Belgium & Professional Co-Creation with Young Performers" will take place at the Nowy Teatr. 

 

Programme

09:30 – Reception

10:00 – 11:00 | Landscape of Youth Arts in Belgium by Zita Epenge and Yannick Boudeau (ASSITEJ Belgium)
11:00 – 11:30 | historical context by Dirk De Lathauwer (artistic director fABULEUS)

11:30 – 11:45 – Break 

11:45 – 12:30 | Case Studies in Co-Creation by 

  • Koen Haagdorens (playwright, hetpaleis)
  • Ilyas Mettioui (director Hofstade)
  • Annika Serong (researcher)

     

12:30 – 13:30 | Network Lunch

13:30 – 14:15 | Panel Discussion - Dorota Kowalkowska (artistic director KORCZAK DZISIAJ Festival) 

Afterwards, questions from the audience.

14:15 – 15:00 | Working Tables (in pairs/groups)

 

► Registration

FAUN-VE©AliceKhol_BD-11.jpg
© Alice Khol

JE PRENDS FEU TROP SOUVENT

Nyash / Caroline Cornélis

Adolescence – an age of desires, doubts and dilemmas, a time of uncertainty and change – is celebrated by the Nyash company. Drawing inspiration from *Prelude to the Afternoon of a Faun*, the piece lies at the crossroads of poetry, music and dance.  From Mallarmé’s poem (1876) to Debussy’s score (1894) and on to Nijinsky’s choreography (1912), *Prelude to the Afternoon of a Faun* marked a turning point in each of these disciplines. It is this legacy that inspires the artistic team in this ode to the power of adolescence. What torments and questions does this faun – half-animal, half-human – embody? What echoes – bursts of energy, exhilaration, budding potential – does he find within us today?

 

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tout rien
© Angela Malvasi

Tout Rien

MODO GROSSO

How can one make time visible, tangible, and lay bare time in its naked form – time as it passes – giving it shape and capturing it in its very movement? This is the challenge taken up by Alexis Rouvre and his ‘circus of objects’. A juggler of time, rather than of gravity, he draws his inspiration from the astrophysicist Carlo Rovelli: ‘Bodies naturally move towards where time passes more slowly’. An alchemist of vanities, he uses the simplest of objects – knitted fabric, a chain, a stone – to create a work of profound poetry, revealing the hidden side of the fleeting moment, which lasts for nothing, yet sustains everything.

A performance for the auditorium and for completely darkened, silent spaces

Suitable for all ages from 7 years old

 

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